Even with only 94% of the P3 colors, the image is so much more colorful than the same clip viewed as Rec.709! What about the color though? The monitor 'claims' 96% of P3 color space, but after calibration the profile suggests reality is more like only 94% or so of P3.īut here is where the HDR really hits home. And that's not a lot more than the 100 nits of the Rec.709 calibration. My BenQ is only capable of 358 nits brightness after setting the white point to D65, not nearly the 1,000 nits minimum normally listed as required for a pro grading HDR monitor. It's actually pretty solid there, and is useful against a Grade 1 Reference monitor as long as I don't try for broadcast work.īut remember, for HDR, it's about both brightness/contrast and color, right? Set for Rec.709, I'm well within pro specs on deltaE variances on both tonality and color.

I've run calibrations and profiles of that monitor in both spaces. At least, as much HDR as that monitor can do. I've heavily calibrated that to both Rec.709 (which uses sRGB color primaries) and for HDR. My BenQ PD2720U for instance claims HDR10 support. ( Also check out this FAQ on Premiere Pro 2022 changes to color management) what are you actually seeing? And are there problems that you can't see? This is where it goes far down the rabbit hole, and quickly. To just 'play' with HDR work, or get some practice working with HDR tonalities, or to maybe put up a personal thing on YouTube, hey, go for it!Īnd yes, please do make sure the 'Display Color Managemen' option in the preferences is checked! Along with the project setting of 'Graphics White' to 203 nits for HDR work, the far more used option.īut. You don't have to have the BlackMagic or AJA output device simply to get HDR onto a screen. The 2022 version of Premiere Pro does allow us to simply set a monitor to its HDR settings and see an HDR-ish (at least) version of the image on that screen. How serious are you, is as always, the first question. So how do we go about getting a decent HDR monitor setup right now within Premiere Pro? better, 'deeper' shadows, with far more detail and gradations.īut to get those in your image reliably takes a monitor that shows you what you're actually getting. a far more colorful overall image, especially in bright areas,.There are two main gains for well-graded HDR content: But the big gains from an HDR workflow are not actually just a brighter image.

Should i turn on hdr on my monitor